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Showing Records: 1 - 20 of 1788

13 1/2” x 19 1/2” framed poster from the Brazilian production of Fool for Love, Louco de Amor,in Portuguese (black and white photo of woman holding man’s leg)

 Item
Series Description From the Series:

Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.

Dates: 1980-1999

20 1/2” x 28” framed poster for the Turkish production of True West, Vahsi Bati (white background with brown hat and red tie)

 Item
Series Description From the Series:

Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.

Dates: 1980-1999

24 1/2” x 34” framed poster for True West, L’ouest, Le vraipresented by Theatre National, in French (black background with white, red and blue lettering)

 Item
Series Description From the Series:

Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.

Dates: 1980-1999

28” x 39” framed poster for True Westproduction presented by the Nouvelle Compagnie Theatrale, in French (black background with white lettering)

 Item
Series Description From the Series:

Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.

Dates: 1980-1999

1920’s Background research notes, undated

 File — Box: 1, Folder: 1-6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: undated

“A Cloudy Day”

 File — Box: 24, Folder: 2
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

“A Correspondence of Forms”, undated

 File — Box: 30, Folder: 17
Sub-Series Description From the Sub-Series:

This subseries includes drafts and typescripts of four speeches which address Vliet’s writing process and influences. Also included here is the author’s acceptance speech for the 1978 Texas Institute of Letters Award received for his novel, Solitudes.

Dates: undated

“A Fable” Southern Theater News, Fall, 1960

 File — Box: 30, Folder: 12
Sub-Series Description From the Sub-Series:

Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.

Dates: 1960

"A Friend in Sahara”

 File — Box: 24, Folder: 7
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

“A Friend in the Sahara", 1978, undated

 Sub-Series
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1978, undated

A Friend in the Sahara (unpublished), undated

 Sub-Series
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: undated

A Lie of the Mind (1985)

 Sub-Series
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1982-1999

A Rage of Unknown Origin, undated

 Sub-subseries
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: undated

“A Sort of Preface”

 File — Box: 30, Folder: 13
Sub-Series Description From the Sub-Series:

Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.

Dates: 1960, undated

A Young Woman’s Reading

 File — Box: 8, Folder: 4
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

About Shrake from Linda Vance, circa 1983-1988

 File — Box: 132, Folder: 4
Series Description From the Series: This series contains materials belonging to Shrake of a more personal nature and is arranged chronologically. The oldest item in this series, and in the collection, is Shrake’s father’s baby dress. Also included are certificates, clippings about Shrake and friends, photographs of Shrake, family and friends, scrapbooks, short stories written for class, two typewriters, a briefcase Shrake used for traveling on Sports Illustrated assignments, Artwork by Shrake...
Dates: circa 1983-1988

Accent, 1956 - 1958

 File — Box: 32, Folder: 9
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1956 - 1958

Adolf, Viola Ebel. Lisa’s Texas Grandma. Boerne, Texas: Highland Press, 1963

 File — Box: 2, Folder: 1
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: Publication: 1963

Advance uncorrected reader’s proof, 1995

 File — Box: 94, Folder: 4
Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...
Dates: 1995

Advance uncorrected reader’s proof

 File — Box: 95, Folder: 5
Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...
Dates: 1997

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